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VFX Supervisor | VFX Creative Director | VFX Producer

helping directors / producers achieve their vision while keeping VFX costs under control.

Crafting photoreal VFX, on-time and within-budget – from concept to delivery.

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I specialize in supervising VIsual Effects for web series, Tv Commercials and feature films — ensuring creative vision and technical excellence at every stage.

Whether it’s a digital warzone or a mythological environment, I help directors and producers to get best VFX solutions from script-to-screen,
making sure VFX are alligned to initial vision of directors,
helping them stay on schedule,
avoid costly surprises in VFX and
elevate production value, here is one of such project.

Taj_Divided_By_Blood - VFX Supervisor

TAJ – Divided By Blood (2023)

Amol Thakur VFX Supervisor, IMBD

🛡️ Role: VFX Supervisor / Creative Director
🎞️ Platform: Streaming on Zee5
🎬 Episodes: 10-Episode, Season – 01

– historical drama, VFX Direction from Pre to Post

 

“I always dreamed of crafting something visually rich for a period drama. With TAJ – Divided by Blood, I got to push the limits of VFX — from environment builds of old structures to Army formations, war sequences with animals, massive crowds, set extensions, explosions, and army fighting sequence.

we not only used differerent aspect of Creative VFX but also use many technical tools like Virtual Production, Ncam, Motion Capture for Army, Chroma setups, CGI Animals & many more”

Amol Thakur

VFX Supervisor for web series

VFX Storyboarding to Execution

From Pre-Production to Post-Production 

i help in visualizing visual effects of -

Work

Web Series VFX Supervisor

Visual Effects Solutions from Pre to Post

This series is an absolute visual feast, with a tons of VFX packed into every episode.

As always, one of the biggest challenges we tackled was crowd multiplication, along with animals in war sequences and we relied on serious VFX magic to make it happen. We needed to create huge crowds of Army and animals for some of the big scenes of this web series, such as the war and fight sequences of War, and the arena sequence in episode 2 of Taj.

However, with great planning at the pre-production stage along with series director Ron, I was confident that we could pull it off and make it look seamless. Under Ron’s direction we use to do lot of pre-production meeting. Each scene was pre-planned and discussed with the Ron as per his vision, he is great director and it was my pleasure working with him.

He is well-versed in visual effects planning and the amount of effort required for doing VFX in post, and he always provided a free hand to conceptualize the VFX in the right way & on request even the producer – Abhimanyu Singh allowed setting up the separate pre-production setup, where initially we created many storyboards for most of the scenes. 

The war sequence was huge & we all knew this is very important for this series, with the formation of an army, elephants, camels, horses, crowd multiplication, explosions, and Army/crowd chaos all over the place. We planned to execute it with a mix of practical effects and traditional VFX to make it look as realistic as possible.

we shot the Elephants, camels in Rajasthan, the Army Plates were shot in our in-house studio Quantiloe  Pictures at aamgaon.

I personally loved the Bala Hissar fort, as it came out well, just as I had imagined from the planning stage. I still remember sharing the first sketch after researching about Bala Hissar with Ron at the storyboard level, and he was very happy looking at the fort’s design at the pre-production stage.

After the fort design was locked, we created many extensive matte paintings to showcase some of the amazing locations in the web series. with smart shooting techniques we could establish many shots which looked fight is happening on different part of Bala Hisar fort, That’s the Magic of VFX

We wanted to transport viewers to different parts of the world and make them feel like they were really there, so we put a ton of effort into creating these stunning landscapes.

Web series - Taj - Tent set extension VFX - JPG

VFX Masterwides

From Concept to Execution

Designing the Money shots in VFX is really a fun, as this is something which can not be shot, these VFX shots need to be designed

VFX Storyboard

Web Series VFX

VFX Solutions from Pre to Post

VFX on shoot supervision to make sure shooting happens as per vision & within the given budget

Overall, I am excited to have been a part of this project and enjoyed my role as VFX Creative Director and VFX Supervisor. The post-production team at Illusion Reality did an great job in making it seamless, and I was always confident that some truly breathtaking visuals were possible with great planning and execution.

watch TAJ on Zee5,

as it’s going to be something special for the Indian web series.

#VFXSupervisor #VFXDirector #VisualEffectsCreativeDirector #VisualEffectsSupervisorIndia

VFX – Concept to Execution

VFX | Animation | Motion Graphics

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